The Criterion Collection
The Daily
Nov 21, 2019 — A richly varied showcase of Korean films made between 1996 and 2003 opens in New York.
Features
Oct 10, 2019 — Dark Passages Where the sea and the city meet, they corrupt each other. Around docks, the ocean’s margins are scummy with oil and floating garbage; the water corrodes hulls, encrusts pilings, and slimes steps. Ports cater to men who come...
The Daily
Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.
The Daily
Sep 30, 2019 — Critics are enthralled by a mobster’s three-and-a-half-hour alternative history of the mid-twentieth century.
Jun 18, 2019 — Bruno Dumont’s remarkable first feature examines the intermingling of the sacred and the profane in the French provinces.
The Daily
Mar 27, 2019 — Twenty-four features by some of the world’s most promising directors are screening in New York through April 7.
The Daily
Mar 26, 2019 — As BAM prepares to present the largest U.S. retrospective yet, we look back on the singular oeuvre.
Jan 18, 2019 — Dark Passages Getting old, in Hollywood, is at least a misfortune, if not a crime. But film noir had plenty of room for actors who looked the worse for wear, whose mileage showed on their faces, whose youth was less...
Nov 15, 2017 — At the American Film Festival that wrapped a couple of weeks ago in Wroclaw, Poland, IndieWire’s Eric Kohn has had early looks at four works in progress: Writer-director-cinematographer John Maringouin’s Ghost Box Cowboy, “an often absurdist commentary about capitalism gone...
Oct 10, 2017 — Two singing mermaid sisters take 1980s Poland by storm in this extravagantly mounted musical-horror hybrid.