The Get Out

Jun 4, 2021 — The festival returns with a full-to-bursting official selection that includes an entirely new program.

Oct 30, 2020 — In his tension-filled, black-comic Oscar winner, Bong Joon Ho masterfully mixes tones and subverts genres in order to shine a harsh light on the mechanisms that maintain class inequality.

Sep 23, 2020 — From Hitchcock’s orbit to The Architecture of Cinematic Spaces, here’s some of this month’s best writing on new books.

Sep 4, 2020 — Black directors recommend films that have had an impact on their work. Also this week: Chris Hegedus and D. A. Pennebaker, Yasuzo Masumura, Takashi Miike, and Alan Clarke.

Aug 31, 2020 — Fans around the world remember an accomplished actor, a genuine movie star, and a generous role model.

Feb 7, 2020 — Retrospectives of the German filmmaker’s work precede the release of I Was at Home, But . . . (2019)

Oct 24, 2019 — D irector Ishiro Honda gathered his crew and gave them an ultimatum. He was about to put his career at risk, and he would only work with those who approached his current project—a movie about a radiation-spewing prehistoric reptile that...

Jun 11, 2019 — In the mid-1970s, a poet’s circus rolled through the northeast, manifesting the spirit and confusion of the era.

Jun 7, 2019 — He is the most disarming and self-effacing of the English actors who dominated stage and screen in the middle of the twentieth century—the others were John Gielgud, Ralph Richardson, Michael Redgrave, and Laurence Olivier. Those fellows carried themselves like grand...

Feb 4, 2019 — All four of this year’s top prizewinners have been directed or codirected by women.