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She Is Love

Jan 17, 2023 Despite her initial reluctance and a stifling contract with Howard Hughes, La Lollo became one of the top stars of the 1950s and ’60s.

Driven to Create

The Daily

Nov 11, 2022 This week we’re celebrating Scorsese, rediscovering Noriaki Tsuchimoto, and doing a little close reading with Frederick Wiseman.

Apr 19, 2022 The Cannes sidebar will present new films by Mia Hansen-Løve, Léa Mysius, João Pedro Rodrigues, and Alex Garland.

Going Our Way?

The Daily

Nov 5, 2021 This week heads in all directions—noir, musicals, and the avant-garde.

July Books

The Daily

Jul 22, 2021 Quentin Tarantino’s first novel and studies of Ophuls and Melville are among this month’s new and noteworthy titles.

Feb 4, 2021 Here’s an overview of what critics have been saying about this year’s winners.

Apr 5, 2019 Two-Lane Blacktop A longtime Criterion contributor, Kent Jones has written for us on everything from the glories of studio filmmaking to the most daring and cerebral of art-house auteurs. But regardless of the subject he’s set his sights on, he’s...

Mar 26, 2019 As BAM prepares to present the largest U.S. retrospective yet, we look back on the singular oeuvre.

Nov 7, 2017 “Many aspects of time, from the dry precision of date and hour to the flights of remembrance and regret, are distilled in a single scene from Michael Powell and Emeric Pressburger’s The Life and Death of Colonel Blimp (1943),” writes...

Oct 7, 2017 We begin with Angelo Muredda, writing for Cinema Scope: “Joachim Trier makes a sterling if somewhat noncommittal bid for post-horror with Thelma, a slow-burn supernatural thriller about a Norwegian teen (Eili Harboe) who goes away to college (and away from...

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