The Criterion Collection
Sep 27, 2011 — Award-winning British director Edgar Wright is best known in the United States for his feature films Shaun of the Dead, Hot Fuzz, and Scott Pilgrim vs. the World; he also directed the UK hit television series Spaced. For his Criterion...
Essays
Sep 13, 2011 — Robert Altman’s spellbinding drama about stolen identities is propelled by evanescent reveries of his own and inventive contributions from cast and crew.
Sep 13, 2011 — Hollywood has been importing talented European filmmakers at least since the early twenties, when Victor Sjöström and Ernst Lubitsch heeded the siren wail of Tinseltown resources, and their work there has tended to quickly obscure the cultural memory of the...
Aug 18, 2011 — The British comedian, actor, writer, and director Richard Ayoade is best known for his starring role on the UK television series The IT Crowd and his successful directorial debut Submarine, which was released in the U.S. in 2011. In selecting...
Aug 9, 2011 — Gillo Pontecorvo’s incendiary epic commemorates the popular uprising that had succeeded in ousting the French from Algeria in July 1962.
Jul 19, 2011 — Comedians, writers, and producers Robert Ben Garant and Tom Lennon split their duties in selecting their favorite titles from the collection: the first five are from Lennon, the last are from Garant. Best known for their work on The State...
At Criterion, cinema is king, but the play is also the thing. Here’s a selection of films that adapt great works of theater for the screen.
We have a killer selection of Japanese gangster films—or yakuza pictures—all from the genre’s heyday in the fifties and sixties.
May 19, 2011 — About selecting his favorites from the collection, world-class cinematographer John Bailey (Mishima: A Life in Four Chapters) says, “One of the greatest challenges in trying to compile a list like this is to separate the objectively ‘great’ films from the...
A founder of Italian neorealism, this Italian master brought to filmmaking a documentary-like authenticity and philosophical stringency that came to define modern cinema.