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Aug 28, 2024 — Critics look ahead to their most-anticipated films in Venice, the festival that kicks off the season.

Aug 28, 2024 — Albert Brooks and Debbie Reynolds are at their comedic best in this tale of parent-child bonding filled with Oedipal humor and emotional insight.

Aug 22, 2024 — This year, Bologna’s annual feast of restorations and rediscoveries showcased one of the most ambitious masterpieces of the silent era, the melodramas of Japanese filmmaker Kozaburo Yoshimura, and other treasures of film history.

Aug 20, 2024 — In the late 1980s, filmmakers Gregorio Rocha and Sarah Minter set out to capture the rebellious subculture of youth in Ciudad Nezahualcóyotl, a slumlike suburb synonymous with the worst failures of urban expansion in Mexico.

Aug 20, 2024 — Delon brought to the films of Melville, Visconti, Deray, and Losey one of the most beautiful faces in all of cinema.

Aug 20, 2024 — In her formally daring debut feature, Martha Coolidge stages a confrontation with the subject of date rape that questions the kind of “closure” required in conventional storytelling.

Aug 19, 2024 — Two Lithuanian directors score top awards, while Invention emerges as a critical favorite.

Aug 16, 2024 — While we check in this week on Jane Campion and Clint Eastwood, IndieWire reassesses the best of the 2000s.

Aug 16, 2024 — With her partner, John Cassavetes, Rowlands made some of the most vital and alive films in all of American cinema.

Aug 12, 2024 — Featuring a new restoration of The Spook Who Sat by the Door, the series includes films by Renoir, Tarkovsky, and Edward Yang.