Winners

Aug 8, 2018 — The selection of thirty films features highlights from Cannes, Locarno, Venice, and Toronto.

Jul 17, 2018 — The festival has become a fertile hunting ground for discerning programmers.

Jul 12, 2018 — Hong Sangsoo, Bruno Dumont, and Radu Muntean are among the filmmakers premiering new work at the seventy-first edition.

Jul 8, 2018 — “I Do Not Care If We Go Down in History as Barbarians” takes the top prize.

May 19, 2018 — The full list of awards and a look back at what many consider to be the strongest edition in years.

Apr 11, 2018 — Before the Cannes Film Festival rolls out its main lineup tomorrow, there are a couple of items to see to. From the festival itself today, there’s this year’s poster, as mentioned earlier, as well as the list of eight films...

Apr 6, 2018 — Angela Schanelec’s films “represent the most innovative use of ‘conventional’ editing in narrative cinema since Pialat who, along with Bresson, has been a clear influence,” writes Michael Sicinski for the Notebook. “Schanelec’s contribution is what we might call the ‘epistemological...

Apr 3, 2018 — A little over a month ago now, we posted Marvel mon amour, a video by Daniel Raim in which Stan Lee looked back on working with his good friend Alain Resnais (above with Olga Georges-Picot in Cannes in 1968) on...

Mar 19, 2018 — New York. On Friday and Saturday, Anthology Film Archives pairs Forough Farrokhzad’s The House Is Black (1962) and Abbas Kiarostami’s The Wind Will Carry Us (1999). As Jeva Lange notes at Screen Slate, House “was shot at a leper colony...

Mar 15, 2018 — New York. Film Forum’s series, entitled simply Michel Piccoli, opens tomorrow and runs through March 22. “It’s surprisingly hard to think of an American equivalent for Piccoli,” writes Mike D’Angelo in the Village Voice. “He never exudes the wised-up, electrifying...