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Vertigo

Dec 9, 2002 What makes Jean-Luc Godard’s classic so unique a viewing experience today, even more than in 1963, is the way it stimulates an audience’s intelligence as well as its senses.

Sep 23, 2002 The theatricality of Alfred Hitchcock’s thriller makes the point that psychoanalysis is a sister to cinema rather than a rival.

Nov 19, 2001 Alfred Hitchcock’s first film in Hollywood is his earliest definitive statement on male domination and female subjugation.

Sisters

Essays

Oct 2, 2000 The most important of Brian De Palma’s earlier features, Greetings (1968) and Hi, Mom! (1970), resist the commodification of entertainment while charting the development of Jon Rubin (Robert De Niro) from voyeur to filmmaker to urban guerilla. If pictures like...

The 39 Steps

Essays

Nov 23, 1999 The occasion of the 100th anniversary of Alfred Hitchcock’s birth rewards us with a new release of one of his greatest films, The 39 Steps (1935). This DVD provides a newly restored transfer, new critical audio commentary on the film,...

Diabolique

Essays

Feb 1, 1999 After finishing Diabolique, heralded French director-screenwriter Henri-Georges Clouzot (1907–1977) confessed that all he had intended was to make a picture that would “amuse myself” and please a young girl who hid under the covers and asked her father to frighten...

Jun 17, 2026 Channel Calendars This month on the Criterion Channel, celebrate the hundredth birthday of the great Harry Dean Stanton, delight in the twists and thrills of our Murderous Melodramas collection, or binge the surreal cult-favorite TV series The Prisoner. There’s so...

Sep 22, 2025 The director of the documentary Celluloid Underground discusses his life as a curator, Iranian film culture, and the inherent ephemerality of cinema.

Venice 2025 Lineup

The Daily

Jul 22, 2025 New films by Olivier Assayas, Noah Baumbach, Kathryn Bigelow, Guillermo del Toro, Mona Fastvold, and Park Chan-wook will compete for the Golden Lion.

Jun 9, 2023 One of Hollywood’s most beloved actors showed a turbulent, sometimes downright sinister side in his collaborations with director Anthony Mann, which include the classic westerns Winchester ’73 and The Man from Laramie.

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