Us

Dec 2, 1990 — In Martin Scorsese’s hands, the camera is not simply a recording device, but an x-ray machine—and it shows us close-ups of the human soul.

Mar 12, 1990 — This Fred Astaire-Ginger Rogers film is a classic example of how music and dance can be used to tell a story, express emotions, richly explore human relationships, subvert logic, and send us singing and skipping into the street.

Jul 11, 1988 — Cinema has given us any number of tales of the criminal underworld, and explorations of the mindsets of murderers—yet there’s been nothing quite like Shohei Imamura’s searing work.

The celebrated actors select favorite movies starring their friends Jason Schwartzman and Jane Fonda, regale us with stories about Omar Sharif and David Lynch, and share their love for films by Hal Ashby and David Lean.

The drag performer, author, and comedian praises Andrei Tarkovsky’s tableaus, shares an emotional experience watching All of Us Strangers, and reflects on how Pina Bausch revolutionized dance theater.

The prolific actor praises the old-school flavor of Cooley High, tells us about his first time seeing Edward James Olmos onstage, and reminisces about a chance encounter with Marlon Brando.

The front man of the band Neon Indian—who just released his debut solo album, World of Hassle—praises the “completely demented” Maîtresse, discusses the representation of Texas in True Stories, and gives us his best Peter Falk impression.

During a trip inside our closet, the writer-director told us about how Chantal Akerman inspired a few moments in her acclaimed debut feature, Aftersun.

The director of The Inspection tells us why Jane Wyman is “a whole mood,” why Douglas Sirk is his dude, and which film will forever change the way you see curtains.

The Emmy-winning actor tells us his perverse choice for “the best date movie on earth” and talks about a film recommended to him by Seth Meyers.