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The Daily

Dec 10, 2021 This week sees new issues from New York, Cineaste, Film Quarterly, and the Brooklyn Rail.

Dec 7, 2021 As his latest feature arrives in the U.S., the director has already begun work on his next one.

Nov 23, 2021 The End In the end, it should not have come as any kind of surprise. When Alfred Hitchcock’s Vertigo dethroned Orson Welles’s Citizen Kane (1941) as the greatest film of all time in Sight & Sound magazine’s international poll of...

Nov 17, 2021 Decades after Peter Lorre’s knife-toting creep Hans Beckert prowled the Berlin streets in search of little girls in Fritz Lang’s M (1931); after Robert Mitchum’s silver-tongued Harry Powell cut down all the “smooth and curly-haired things” he could get his...

Nov 4, 2021 So far, the Museum’s programmers have selected nearly twenty films that they believe “will stand the test of time.”

Oct 19, 2021 The works of great artists have a way of reactivating fundamental questions about the nature and potential of an art form. In the case of filmmaker Lynne Ramsay, these questions revolve around a word that has been used routinely to...

Oct 19, 2021 The Academy Award–winning director remembers a formative and eye-opening encounter with Lynne Ramsay’s feature debut.

Oct 12, 2021 In Raoul Walsh’s elegy for the Depression-era archetype of the noble outlaw, Humphrey Bogart plays an old-fashioned desperado who has outlived his time.

Oct 6, 2021 A rediscovered anti-fascist short is among the highlights of this year’s program of restorations and revivals.

Sep 16, 2021 For some, it’s “a relentless, propulsive chase movie,” while others find this first part to be “a turgid preamble with little payoff.”

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