The Overlanders

Nov 16, 2022 — Fifty new and recent restorations will screen at the Museum’s first-ever festival of preservation.

Nov 15, 2022 — An ongoing series spotlights films by women directors made in eastern Europe during the Soviet era.

Nov 8, 2022 — In her first film that places a male character front and center, Jane Campion trains her unsparing gaze on the brutality of patriarchal power and the pain of repressed homoerotic desire.

Nov 2, 2022 — While the Wexner Center surveys her career, TCM’s podcast tells the full life story of Pam Grier.

Sep 30, 2022 — We’re reading interviews with Garret Bradley and Don Hertzfeldt and a marvelous account of the making of Nosferatu the Vampyre (1979).

Sep 29, 2022 — An erotically charged “musical fantasia” opens the NYFF’s Currents program.

Sep 28, 2022 — This melodrama, made by André de Toth in his native Hungary, anticipates the unease of the director’s postwar Hollywood films with an array of radical stylistic choices and jarring visual tensions.

Sep 28, 2022 — A long-obscure landmark of the Iranian New Wave, Mohammad Reza Aslani’s daringly ambiguous portrait of feudalism’s demise mirrors the revolutionary times in which it was made.

Sep 14, 2022 — Always innovating, Godard was one of the most vital and influential figures in the history of cinema.

Sep 6, 2022 — Here’s an overview of how some of the contenders are faring with critics in Venice.