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The Killing

Dec 23, 2016 — Did You See This? Over at the BFI, Nathalie Morris recounts the trailblazing career of singer, actor, athlete, and activist Paul Robeson, “a true renaissance man who overcame racial prejudice to become one of the biggest stars of his time.”...

Jul 25, 2014 — Erik Skjoldbjærg’s sun-drenched noir follows a detective trying to conceal his amoral actions amid unforgiving daylight.

Jul 22, 2013 — Gabriel Axel’s exquisite adaptation of Isak Dinesen’s short tale of grace through art provides spiritual and sensual sustenance.

Sep 28, 2012 — Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled...

A Cause for Kurosawa

Short Takes

Jun 30, 2011 — Kurosawa’s films are about to get even more graphic. The Criterion Collection and the pop-up art gallery Tr!ckster are joining forces Friday, July 22, for a one-night-only celebration called A Tribute to the Films of Akira Kurosawa. Curated by our own Eric...

He Is Spartacus

Short Takes

Apr 28, 2011 — Grauman’s Chinese Theater in Los Angeles will host a special screening Friday, April 29, of Stanley Kubrick’s Spartacus, as part of the annual TCM Classic Film Festival—and the mighty gladiator himself will be there. Kirk Douglas, who at ninety-four is...

Jan 18, 2011 — By 1963, when he started filming Shock Corridor on a rented soundstage, Samuel Fuller had come ruefully and puckishly to view himself as a “Lindy,” a diminutive for Charles Lindbergh designating a prostitute who, like the famous aviator, operates solo,...

Dec 7, 2010 — In 1981, it seemed to me that a new era of fantastic cinema was upon us.

May 13, 2002 — In Barbet Schroeder’s portrait of Ugandan dictator Idi Amin, we watch a seemingly amiable, thoroughly pompous despot attempt to transform himself into a figure of heroic proportions.

Jul 9, 2001 — Directed by Bruce Robinson, this eccentric, disquieting satire about Madison Avenue transforms from fevered realism to symbolic fantasy.

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