The Criterion Collection
Sep 17, 2007 — I set out on my first trip to the Toronto Film Festival ready to feast on films and spend relaxed, indulgent, quality time with writers I work with, or hope to work with, as the editorial director here at Criterion....
Dec 26, 2016 — PerformancesTraveling through the subterranean portals of Videodrome like an introverted wraith, Deborah Harry carries herself with the wry, burned-out, but still titillated instincts of a voyager buying a one-way ticket for the outer limits. A vivid, smallish part can either...
Essays
Oct 12, 1998 — Inspired by the stranger-than-fiction true story of identical twin gynecologists, David Cronenberg’s psychological thriller is a melancholic meditation on our very existence.
The Daily
Aug 19, 2026 — BAM presents visions of a few possible utopias—and plenty of dystopias.
The Daily
Aug 17, 2022 — Our late summer reading list includes vital film criticism and new titles on Josephine Baker, Douglas Fairbanks, and more.
The Daily
May 8, 2023 — A new film by the late director is the clear highlight of this year’s Cannes Classics program.
The Daily
Aug 16, 2021 — Here’s what critics have been saying about the winners of the top awards.
The Daily
May 27, 2020 — Twenty-one festivals from around the world contribute to the eclectic lineup of the free We Are One: A Global Film Festival.
Dec 5, 2019 — The year will begin with new films by Josephine Decker, Kirsten Johnson, Dee Rees, Sean Durkin, and Michael Almereyda.
Sep 17, 2017 — “A film that would make a fine double bill with either Jessica Hausner’s Amour fou or David Cronenberg’s A Dangerous Method, Barbara Albert’s Mademoiselle Paradis is a subtle and intelligent film about the historical crisis of female subjectivity and the...