The Criterion Collection
Dec 5, 2005 — If there is a skeleton key to François Truffaut’s oeuvre, it is this film, in which all of his assorted gifts and preoccupations are in play and meshed into a uniquely idiosyncratic whole.
Sep 3, 2021 — In the thirty-fifth edition of the Italian festival dedicated to restored films, an eclectic lineup underscores the transportive physicality of cinema after a long year stuck at home.
The Daily
Feb 5, 2021 — This week we’re reading Nick Pinkerton on Fassbinder’s problems with Chabrol and revisiting films by Marguerite Duras, Lizzie Borden, and Béla Tarr.
The Daily
Dec 19, 2017 — Following the first rounds up titles slated for the Panorama and Competition programs, the Berlin International Film Festival now presents sixteen titles lined up for Generation, its section for younger viewers. This time around, we have descriptions from the Berlinale.Generation 14plus303, directed by Hans Weingartner. World premiere. 303 tells...
The Daily
Oct 7, 2017 — “In just two adaptations,” begins Benedict Seal at Vague Visages, “author Brian Selznick has developed a reputation for inspiring intelligent and magical children’s films. After John Logan adapted The Invention of Hugo Cabaret for Martin Scorsese’s wonderful Hugo, Selznick has...
Aug 4, 2017 — The world premiere of Tomorrow and Thereafter (Demain et tous les autres jours) has opened this year’s Locarno Festival. “Noémie Lvovsky directs and stars in this discreetly fantastical, partly whimsical and sometimes unsentimental portrait of a mother whose fraught relationship...
Oct 30, 2012 — All of them actors? Nearly everyone wears a mask in Roman Polanski’s devilishly clever work of horror.
On the Channel
Feb 12, 2018 — Mexican filmmaker Guillermo del Toro shares heartfelt appreciations for eleven of his favorite films in the collection.
The Daily
May 21, 2024 — The reviews are in for Caught by the Tides, Emilia Pérez, and The Substance.
Nov 25, 2020 — A camera dollies down a hallway into the interior of a nursing home: the opening of Martin Scorsese’s The Irishman (2019) prompts a foreboding that seeps into all that follows. The Five Satins’ 1956 doo-wop classic “In the Still of...