The Criterion Collection
Jul 16, 2008 — The locations for many of Ingmar Bergman’s most dramatically spare films have existed for so long in moviegoers’ minds as stark black-and-white dream states that to walk through them in living, vibrant color is truly transformative. Imagine the harsh, pebbled...
Features
Sep 13, 2004 — This oblique strategy can be seen as a self-referential characterization of Slacker itself: it appears to have no structure, to be chaotic (a matter of random encounters), when, in fact, it has a very subtle, extremely well-crafted structure that makes...
Dec 4, 2006 — I had said that I was going to write about growing up with a projector in my attic, and Peter’s writing about home last week brought back some memories. Movies were cool. In the late sixties, my father would bring...
In celebration of Halloween, the singer-songwriter, actor, and producer shares her spooky season favorites, highlighting both the spine-tingling sensations and social undercurrents that permeate such classics as Night of the Living Dead, Brazil, and Eraserhead.
Apr 1, 2019 — The artist, photographer, and filmmaker leaves behind one of the most varied and restless oeuvres in cinema.
On the Channel
Jul 26, 2018 — The Grim Reaper faces off against two wildly different sets of opponents in a new Criterion Channel double feature, celebrating the hundredth birthday of Ingmar Bergman.
The Daily
Apr 27, 2018 — A survey of the films in this year’s Cannes competition lineup and predictions of what will take home the top prize.
Short Takes
Jul 7, 2016 — Half a century after Jacqueline Susann’s sensational novel Valley of the Dolls became a best seller, this cult-classic portrait of glamour and excess is enjoying a fabulous comeback.
The Daily
Mar 18, 2026 — The London festival celebrates forty years of showcasing great queer cinema.
On the Channel
Dec 28, 2022 — We’re getting real in January with a spotlight on cinema verité, a movement that revolutionized documentary filmmaking.