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Feb 25, 2013 When an ethnographic filmmaker and a sociologist joined forces, they helped change the course of nonfiction cinema.

Jul 14, 2012 Simply stated, Wes Anderson is the most original presence in American film comedy since Preston Sturges. He is as boundlessly confident as  Sturges was in his heyday, and he has a similarly keen ear for gaudy dialogue; a gift for...

May 22, 2012 These five films chart the unlikely ascendance of a hero of American underground cinema.

Jun 27, 2011 Shot in Berlin on the eve of the Great Depression with almost no budget, an equally modest cast of amateur actors, a relatively untested, unknown crew, and no major studio backing, the late silent film People on Sunday (1930) has...

Mar 21, 2011 Living Room The cinema of Mikio Naruse is one of heartbreak but also one of indomitable poise. Melodrama is the director’s stock-in-trade. His stories are inhabited by people, generally women, imprisoned in their domestic and professional circumstances by the status...

Sep 21, 2010 Warrendale: Man of ActionAllan King was one of cinema’s most acute chroniclers of unadorned reality, but the term documentary seems too puny to describe the intense, passionate stories he contrived to fashion from that reality. King’s early nonfiction features are...

Feb 17, 2010 The feature film debut of British artist Steve McQueen, Hunger dramatizes the final weeks in the life of Irish Republican Army commander Bobby Sands and his death by hunger strike, aged twenty-seven, in 1981. Combining intense formal control and extreme...

Sep 22, 2009 Something very heavy happened at Monterey last weekend. Those very odd three days began in Friday’s cool gray air as the first of the crowd began to circle through the booths of the fairground. The only word for it then...

Apr 23, 2009 This interview, conducted by Michael Henry, first appeared in the May 1978 issue of Positif.

Jul 21, 2008 Carl Theodor Dreyer’s elliptical and dreamlike vampire film defies definitive shots at interpretation.

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