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Something about the North

May 24, 2017 “Sofia Coppola delivers a very enjoyable southern melodrama, the tale of a handsome, badly wounded Union soldier in enemy terrain during the American civil war who throws himself on the mercy of a ladies’ seminary—of all the outrageous things.” The...

May 21, 2017 “Arguably, more question marks hung over the prospect of Redoubtable than over any other film in Cannes this year,” begins Jonathan Romney in Screen. “One reason was the idea of Michel Hazanavicius, director of the world-beating The Artist, seeming too...

May 2, 2017 On a trip to the Library of Congress’s Mostly Lost workshop—affectionately known as “film-geek heaven”—Imogen Sara Smith joined early-cinema aficionados in uncovering treasures from the vaults.

Apr 17, 2017 A group of Cuba’s most seasoned musicians became an international sensation upon the release of this acclaimed documentary portrait.

Oct 25, 2016 On their way back to Mumbai, the filmmaking pair dropped in for a chat about their film The Cinema Travellers, which documents the last traveling-cinema exhibitors of the western Indian state of Maharashtra.

Nov 24, 2015 In Dont Look Back, legendary documentary filmmaker D. A. Pennebaker employs his revolutionary new camera and Direct Cinema style to capture the multiple essences and contradictions of a young Bob Dylan making his way across England in 1965.

Oct 9, 2015 Guy Maddin and his filmmaking partner Evan Johnson dropped by the Criterion kitchen to talk about their new film, The Forbidden Room.

Oct 27, 2014 Though he emerged from established stage and screen comedy traditions, Tati invented a completely new filmic language.

Jun 24, 2014 One of the most important contributions Peter Davis’s Hearts and Minds makes to our national dialogue on the Vietnam War is its portrayal of ordinary Vietnamese. For years, the Vietnamese had been conspicuous by their absence in American film and...

Apr 21, 2014 A real-life prison uprising inspired this two-fisted tale directed by Don Siegel, who would go on to make many more films about men in extreme situations.

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