The Criterion Collection
Essays
Jul 12, 2022 — In David Lean’s Venice-set romance, a fleeting love affair prompts a woman’s self-exploration.
Jan 5, 2021 — The film begins at night. Under the credits, there are views from a car in motion, before four people arrive at a stately home in the woods. There is a married couple, François (Paul Frankeur) and Simone (Delphine Seyrig) Thévenot....
Nov 19, 2020 — For most of my life, makeover sequences in film comedies held an irresistible allure. The mousy young woman who realizes her own inner and outer (but mostly outer) beauty after receiving the attentions of the right man (or the right...
The Daily
Oct 6, 2017 — “In both shape and sensibility, the work of Los Angeles-based filmmaker Ben Russell embodies a fluid yet holistic creative practice,” writes Jordan Cronk, introducing his interview for Film Comment. “A spiritual descendant of cinematic anthropologists Jean Rouch and Robert Gardner,...
May 20, 2017 — “Robin Campillo’s 120 Battements Par Minute [BPM (Beats Per Minute)] is a passionately acted ensemble movie about ACT UP in France in the late 80s, the confrontational direct-action movement which demanded immediate, large-scale research into AIDS,” begins the Guardian’s Peter...
Production Notes
Jun 22, 2010 — Sitting on a hard drive here in the office is the unedited footage of an interview we shot here with Peter Brunette on April 26, for an upcoming release of Senso. The release had been delayed, but I told Peter that since...
Jul 16, 2024 — In one of the most patient films he has ever made, Wim Wenders captures how everyday existence drifts into our dream lives.
The Daily
Dec 18, 2025 — Checking in on lists of the best films, performances, scenes, scores, restorations, and more.
The Daily
Feb 16, 2024 — This week brings fresh writing on Edward Yang and David Cronenberg, a talk with Wim Wenders, and a bundle of lists.
The Daily
Aug 31, 2023 — With the WGA and SAG-AFTRA strikes on, the spotlight this fall will be on the directors.