The Criterion Collection
May 21, 2017 — “Neo-realism isn’t necessarily a genre built for star turns,” writes Guy Lodge for Variety, “but director Jonas Carpignano happened upon one anyway in his debut Mediterranea: Then-preteen Pio Amato wasn’t the lead in that accomplished, affecting refugee drama, but his...
May 14, 2017 — Yasujiro Ozu’s ode to childhood interweaves observations of human behavior with the simple surfaces of quotidian life in Tokyo.
Essays
Jan 16, 2017 — Jack Garfein’s no-holds-barred account of sexual assault and trauma captures the volatile sensibility of the Actors Studio.
Features
Oct 4, 2016 — This account of a visit to the Beyond the Valley of the Dolls set is excerpted from an issue of the University of California, Los Angeles, newspaper.
Production Notes
Jul 18, 2016 — Criterion’s resident researcher and web producer takes a trip to Madrid bookstore Ocho y Medio, which she calls “a shrine to Spanish contributions to the seventh art.”
Production Notes
Jul 7, 2016 — In honor of the director, we look back at his quintessentially American narratives.
Jun 7, 2016 — Michelangelo Antonioni’s 1955 feature about a group of Turinese women plays on the themes of the novel it was adapted from, while showcasing the developing style of the soon-to-be legendary director.
Aug 13, 2015 — The films Agnès Varda made while living on the West Coast of the United States are some of the most searching and challenging of her stellar career.
Interviews
Sep 16, 2014 — The following interview is from filmmaker and writer Chris Rodley’s 1997 book Lynch on Lynch. The interviews in the book were conducted by Rodley between January 1993 and December 1996. Eraserhead took five years to complete. You must have been...
Essays
Sep 18, 2013 — This chapter about director Richard Linklater’s beginnings, from the 1996 book Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema, is by the former producer’s representative, creator and host of IFC’s Split Screen, and...