The Criterion Collection
On the Channel
Dec 28, 2022 — We’re getting real in January with a spotlight on cinema verité, a movement that revolutionized documentary filmmaking.
Apr 26, 2022 — In the opening moments of Arie and Chuko Esiri’s Eyimofe (This Is My Desire) (2020), we first hear—the ceaseless hum of machines at work—and then see: a jumble of multicolored wires. The 16 mm film image is grainy, trembling ever...
On the Channel
Jan 27, 2022 — We’re celebrating Black History Month with tributes to trailblazing artists like Harry Belafonte, Melvin Van Peebles, and documentary master Stanley Nelson.
Nov 23, 2021 — The End In the end, it should not have come as any kind of surprise. When Alfred Hitchcock’s Vertigo dethroned Orson Welles’s Citizen Kane (1941) as the greatest film of all time in Sight & Sound magazine’s international poll of...
The Daily
Jul 19, 2021 — The Palme d’Or, Caméra d'Or, Un Certain Regard Prize, and Palme d’Or for best short film have all gone to women directors.
Features
Jul 7, 2021 — In the 1990s, Hong Kong was home to a staggering number of the most gifted and charismatic actors in the world. It’s impossible to imagine the films of Wong Kar Wai—or the global art-house phenomenon they generated—without these extraordinary performers;...
The Daily
Jun 4, 2021 — The festival returns with a full-to-bursting official selection that includes an entirely new program.
Features
Apr 21, 2021 — First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...
The Daily
Apr 15, 2021 — Catherine Breillat and Todd Field are getting back behind the camera, while Scorsese and Spielberg forge ahead with their latest projects.
Essays
Feb 16, 2021 — “Me myself, I prefer literature,” the Senegalese author-filmmaker Ousmane Sembène tells a group of African students in the 1994 documentary Sembène: The Making of African Cinema. “But in our time, literature is a luxury.” Sembène’s historical conjuncture—Africa’s putative transition from...