The Criterion Collection
The Daily
May 26, 2020 — Karina Longworth’s podcast You Must Remember This returns with a season devoted to the unjustly unheralded producer, production designer, and writer.
On the Channel
Feb 28, 2020 — Check out what’s in store next month on our streaming service!
The Daily
Aug 24, 2017 — Cineaste has posted selections from its fiftieth anniversary issue, along with a round of web exclusives. Louis Menashe, professor emeritus at Polytechnic Institute of New York University and author of Moscow Believes in Tears: Russians and Their Movies, tells the...
Dec 10, 2013 — In 1998, I interviewed Little Edie Beale, the surviving star of 1976’s Grey Gardens, one of the Maysles brothers’ numerous masterworks (Gimme Shelter, Meet Marlon Brando, and With Love from Truman are equal in technical and emotional innovation). Miss Beale,...
Features
Jul 8, 2009 — I’ll never forget that first step on the moon. I was at the home of a high school classmate in Fort Worth on the evening of July 20, 1969. The Eagle had landed that afternoon, and we’d been waiting for...
Jul 25, 2017 — Joshua Z Weinstein has directed the feature documentaries Drivers Wanted and Flying on One Engine. His recent credits as director of photography include Elaine Stritch: Shoot Me, Code of the West, and the forthcoming Bikini Moon. Weinstein has been nominated...
Apr 16, 2024 — Unfolding in elaborately choreographed long takes, this sublime adaptation of László Krasznahorkai’s novel The Melancholy of Resistance captures the weight of time and the mood of fascism with a haunting palpability.
Jun 17, 2019 — Renowned for his adaptations of Shakespeare and great operas, the director was also a controversial Italian senator and stood accused of sexual misconduct.
Features
Mar 25, 2024 — What makes a “bad” movie anyway? By surveying the bombs, disasters, and secret masterpieces (dis)honored at the Golden Raspberry Awards, we can learn much about American cinema’s prevailing standards of taste.
Essays
May 16, 2023 — Inspired by golden-age monster movies and the story of a real-life mass murderer, Peter Bogdanovich’s debut feature evokes the psychic dread of America in the 1960s, a decade defined by long-distance and increasingly high-profile gun violence.