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Knowing

Dec 3, 2019 As the title card comes up, the movie has already begun, with a frontal view of a dilapidated plantation house, its ivied columns sporadically lit up by a raging storm. Spectators at the time of the film’s release who were...

Nov 26, 2019 In a key scene of the beloved Bette Davis film Now, Voyager (1942), the heroine goes to dinner on a cruise ship wearing a cloak decorated with fritillaries. A fritillary is a spangled butterfly, and the scene signals that Charlotte...

Nov 21, 2019 Every love affair requires a border crossing. The person you see across a crowded bar, or meet at a dinner party, or find on a dating app is another country altogether—maybe a nice place to visit, but do you really...

Nov 5, 2019 What began as an artificially stoked-up controversy has led to a vital statement on the present and future of cinema.

Oct 22, 2019 Muhammad Ali was thirty-two years old when he arrived in Kinshasa, Zaire, in 1974 to fight for the heavyweight championship of the world. Thirty-two is not prohibitively old for a boxer in the heavyweight division. (As I type, the most...

Sep 27, 2019 Charlie Chaplin gave The Circus (1928) one of his favorite themes, some of his most sublime gags, and an incomparably poignant ending. It’s a hugely personal work, which draws on moments from his whole career, from his early stage work...

Sep 24, 2019 Bill Forsyth is Scotland’s most famous filmmaker, and Local Hero (1983) is his most famous film—for many, the true subject of Local Hero’s title is the Glasgow-born writer-director himself. The enduring affection and adulation for Local Hero stem from the...

Sep 18, 2019 One Scene The way some rock fans talk about the sanctity of live music, you’d think it was a guaranteed path to transcendence. But of course most concerts fall far short of the sublime, and the thrill of breathing in...

Sep 4, 2019 The late actor became an icon of his generation with this moody, brilliant non-performance, informed by his intimate knowledge of chaos and death.

Aug 14, 2019 There is a scene in Henry King’s State Fair (1933) that ranks among the most poetic moments in all of 1930s American cinema. There is not much to it, just a family driving through the dusk in their rattling pickup...

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