The Criterion Collection
The Daily
Jul 15, 2017 — “The film’s tag line was ‘They share the same body . . . but hate each other’s guts!’ I was told that the timing was a coincidence, but even before the film began it was clear that this was a...
Jul 12, 2016 — Herk Harvey’s influential, low-budget horror classic Carnival of Souls is an eerie exploration of the mutability of place and the purgatorial state of dreaming.
Jun 19, 2013 — Disorienting, brutal, and bloody beautiful, František Vláčil’s epic is a dark medieval vision teeming with cinematic invention.
Jun 23, 2020 — In Céline Sciamma’s unabashedly romantic and fiercely political film Portrait of a Lady on Fire (2019), two women fall in love and set each other free, if for only a few glorious days or weeks. It is one of the...
Essays
Apr 17, 2012 — Maybe it is something to do with the sensual seductiveness of cinema: as new-millennium Americans, we care nothing for Japanese poetry, little for Japanese painting and fiction, and certainly too much for Japanese cartoons, and yet Yasujiro Ozu, the least...
The Daily
May 14, 2021 — The ten-episode adaptation of Colson Whitehead’s novel is a conscious “act of seeing.”
Dec 20, 2019 — The following account was scratched together in August 1990, when Wim Wenders’ Until the End of the World was still taking shape in the editing room. Apart from a basic rinse of copy editing, I’m offering it up essentially as is,...
The Daily
Oct 3, 2017 — “American Gods star Pablo Schreiber will play astronaut Jim Lovell in Damien Chazelle’s moon-mission movie First Man,” reports Deadline’s Anthony D’Alessandro. In March, D’Alessandro noted that the story, based on James R. Hansen’s 2005 book, “follows NASA’s mission to land...
May 31, 2017 — Long difficult to see, this transgressive silent masterpiece draws on a wide range of aesthetic influences to push against the boundaries of film form.
Aug 20, 2024 — In her formally daring debut feature, Martha Coolidge stages a confrontation with the subject of date rape that questions the kind of “closure” required in conventional storytelling.