Back To Search

In the Heights

Oct 25, 2013 "I“m not acting,” stage star Myrtle Gordon (Gena Rowlands) tells her bemused director after a violent episode with her ghostly muse in Opening Night. That’s a loaded claim to be making in a movie that so conclusively smudges the line...

Jun 20, 2013 The prophetic voice of H. G. Wells resonates throughout this singularly ambitious, spectacularly designed vision.

Jun 17, 2013 The silent legend practices slapstick with clockwork precision in his most iconic, astonishing comedy.

Dukie

Features

Feb 23, 2012 Author John Voelker (a.k.a. Robert Traver) met musician Duke Ellington on the set of Anatomy of a Murder; he wrote this piece about the experience for the Detroit News Sunday Magazine in 1967.

Aug 11, 2008   WINGS: TAKING OFF Of all the dazzlingly talented filmmakers to emerge from the Soviet Union, Larisa Shepitko has remained one of the least widely known. While many of her film school contemporaries, including Andrei Tarkovsky, Sergei Parajanov, and her...

Apr 15, 2002 Jean-Pierre Melville’s first-class crime picture may be the most elegantly rigorous movie ever made about a cockeyed heist.

Jun 4, 2001 Mad with images of nature in rebellion, Luis Buñuel’s 1964 film is a droll vision of Eden during the Fall starring a sumptuous Jeanne Moreau.

Apr 17, 2026 From a distance—looking down, say, from a penthouse office in a glass-paned downtown skyscraper—the U.S. economy of the 1990s and early 2000s could feel almost boring. Between Black Monday in 1987 and the Global Financial Crisis twenty years later, growth...

Feb 24, 2021 Hollywood is the unofficial ministry of propaganda for the United States. Newcomers to this country typically begin their process of Americanization well before they arrive, having been exposed, for quite some time, to the long-distance bombardment of American blockbusters. In...

Sep 30, 2020 Martin Scorsese’s World Cinema Project No. 3 More than eight decades since its release, Dos monjes (1934) continues to invite reappraisals, as much for its expressionist style—exceptional within Mexican cinema—as for its nonlinear narrative and for the creative contributions of...

Current Page
16
of 18

You have no items in your shopping cart