In Dreams

Aug 25, 2020 — Set among immigrants and laborers in an unglamorous corner of the South of France, Toni (1935) fulfills Jean Renoir’s wish to make a film in “a style as close as possible to that of daily encounters,” as he wrote in...

Jan 30, 2020 — Elisabeth Moss plays Shirley Jackson, but Decker’s fourth feature is anything but a conventional biopic.

Oct 11, 2019 — Highlighted this week are an alternative history, the state of the documentary, and the influence of Antonioni and Pialat.

Aug 30, 2019 — Abbas Kiarostami’s Koker Trilogy is a true marvel of narrative construction: the neorealist-like odyssey of Where Is the Friend’s House? (1987) gives way to the slippery intermingling of fact and fiction in And Life Goes On (1992), a road movie...

May 30, 2019 — It was more than three decades ago, in early 1986, that David Lynch arrived in Wilmington, North Carolina, to begin shooting his fourth feature, Blue Velvet. The surreal and emotionally overpowering neonoir that began to take shape there would go on to become...

May 2, 2019 — When I first saw My Brilliant Career, when it was released in New York in 1980, I was ignorant of director “Gill” Armstrong. I assumed she was a man, because at the time I could count the female directors I...

Nov 18, 2018 — This sensuous, sprawling epic, which Ingmar Bergman intended to be his swan song, offers an effortless summing up of the themes—among them family, identity, and mortality—he'd spent a career exploring.

Jan 15, 2018 — On Saturday, Fireflies founding editors Annabel Brady-Brown and Giovanni Marchini Camia will launch Issue 5 at Wolf Studio in Berlin. The event will feature live performances from artists Sam Smith (video), Puck Vonk (sound), and Eli Cortiñas (lecture), all of...

Jul 18, 2017 — During a period of personal turmoil, Andrei Tarkovsky created this enigmatic masterpiece, which explores spiritual and metaphysical mysteries through the prism of a science-fiction epic.

Jun 27, 2017 — On what would have been his seventy-sixth birthday, we look back at the incandescent, richly cinematic reveries of one of the most acclaimed Polish filmmakers of his generation.