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I Can Speak

May 8, 2018 Horror movies are often understood as products of the imagination, but in the case of Caroline Monnet and Daniel Watchorn’s work, the conventions of the genre are grounded in stories of real-life injustice. Set in a Canadian residential school for...

Apr 20, 2018 Let’s catch up with the new issue of cléo journal, this one dedicated entirely to the work of Agnès Varda. When the journal launched five years ago, it took its name from Varda’s 1962 classic, Cléo from 5 to 7....

Jun 25, 2013 How Claude Lanzmann made a thoughtful film about the unthinkable and unfilmable.

Feb 25, 2013 When an ethnographic filmmaker and a sociologist joined forces, they helped change the course of nonfiction cinema.

Sep 22, 2009 Something very heavy happened at Monterey last weekend. Those very odd three days began in Friday’s cool gray air as the first of the crowd began to circle through the booths of the fairground. The only word for it then...

Sep 15, 2009 Words are the trained fleas in David Mamet’s sidewalk circus—dirty words, often bloodstained, usually swarming, that perform their acrobatic stunts for gawkers who will likely get their pockets picked. That’s the reputation, anyhow. More than thirty years after he made...

Lipp Service

Production Notes

Jan 14, 2008 From upstairs at the Brasserie Lipp in Paris, you have a perfect view of the Café de Flore, directly across the boulevard Saint-Germain. Both are famous Left Bank institutions where filmmakers such as Louis Malle, François Truffaut, Claude Chabrol, and...

Sep 28, 2022 Cameroonian director Dikongué-Pipa’s debut feature is both a manifesto on cinema’s capacity to bring about social change and a celebration of love and its possibilities.

Nov 12, 2017 On November 4, almost a month to the day after Jodi Kantor and Megan Twohey reported for the New York Times on the accusations of sexual harassment and abuse leveled against Harvey Weinstein, Mark Harris tweeted: “Thing I've been hearing...

May 18, 2026 Critics are taking to Paweł Pawlikowski’s Fatherland, Radu Jude’s The Diary of a Chambermaid, and Jordan Firstman’s Club Kid.

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