The Criterion Collection
Nov 19, 2020 — For most of my life, makeover sequences in film comedies held an irresistible allure. The mousy young woman who realizes her own inner and outer (but mostly outer) beauty after receiving the attentions of the right man (or the right...
The Daily
Oct 11, 2023 — The shock of Davies’s passing is compounded by the sinking realization that cinema has lost one of its most singular artists.
May 22, 2017 — “The Meyerowitz Stories (New and Selected) isn’t the wittiest or most exciting movie that Noah Baumbach has ever made, but it might just be the most humane,” writes David Ehrlich at IndieWire. “While all of his films have a cutting...
Nov 13, 2012 — With this frenetic cinematic fresco, Pasolini began his Trilogy of Life and its forays into a world as yet unspoiled by capitalism.
Sep 3, 2007 — Iwas a cab driver once myself (in Los Angeles, in the mid-1970s), and I’ve been sensitive ever since to how the profession is portrayed on the screen. As it happened, I was driving a cab when Taxi Driver came out,...
The Daily
Aug 16, 2024 — With her partner, John Cassavetes, Rowlands made some of the most vital and alive films in all of American cinema.
Oct 28, 2022 — The role of the vampire has given talented actors throughout film history—from Bela Lugosi to Catherine Deneuve—the chance to embody physical and moral extremity.
Sep 13, 2018 — The imitation of nature becomes a devotional act in Terrence Malick’s cinema, which reaches sublime heights in this exploration of childhood, memory, and grief.
Oct 1, 2017 — “Noah Baumbach has always been a writer-director of no formal distinction, but he's possessed with a keen eye and ear for the intricacies of pettiness, humiliation, and schadenfreude,” begins Steve Macfarlane at Slant. “His new film, The Meyerowitz Stories (New...
Dec 13, 2013 — Metin Erksan’s shocking and sensuous tale of greed and rural life was part of a vibrant Turkish cinema of the fifties and sixties.