The Criterion Collection
Essays
Jun 24, 2025 — The product of a famously tumultuous production, William Friedkin’s nerve-jangling adaptation of the classic suspense novel The Wages of Fear infuses the mechanics of genre with rough-hewn realism and the New Hollywood’s renegade spirit.
The Daily
Jun 10, 2025 — At MoMA, curator David Schwartz celebrates seventeen landmark New York screening venues.
May 27, 2025 — Suffused with slapstick humor and slightly surreal wit, Richard Lester’s beloved take on a frequently adapted adventure epic embodies a style of extravagant filmmaking that didn’t survive long past the 1970s.
The Daily
May 20, 2025 — Cannes 2025: Sirāt and Two Prosecutors emerge as critical favorites, while Nouvelle Vague finds both champions and detractors.
On the Channel
May 14, 2025 — This month, dive into some of cinema’s most memorable swimming pools, dine across Europe with Steve Coogan and Rob Brydon, and watch out for that suave sociopath Tom Ripley.
The Daily
Apr 10, 2025 — The competition alone will launch new films by Wes Anderson, Kelly Reichardt, Richard Linklater, Joachim Trier, and Ari Aster.
The Daily
Mar 31, 2025 — Steeped in theater history, Shinoda infused centuries-old tales with twentieth-century dynamism.
The Daily
Mar 28, 2025 — The week brings new issues of Film Quarterly and Cineaste and conversations with Michael Mann and Miguel Gomes.
Essays
Mar 25, 2025 — Set in a grimy, unglamorous version of Los Angeles, Arthur Penn’s Watergate-era neonoir tells the story of an honorable private eye acutely conscious of living in an era that is the mere shadow of a nobler past.
The Daily
Mar 17, 2025 — Headlining this month’s roundup are Joan Didion, Merle Oberon, and Charlie Chaplin.