Boss

Oct 10, 2017 — Two singing mermaid sisters take 1980s Poland by storm in this extravagantly mounted musical-horror hybrid.

Oct 5, 2017 — “When you make a movie called Spielberg,” begins Mike Hale in the New York Times, “and its subject agrees to sit for what turns out to be thirty hours of interviews—and his sisters sit down with you, as do his...

Oct 1, 2017 — “Sean Baker follows his 2015 breakout feature Tangerine with another high-energy movie about people whose imaginations are undaunted by living on the margins,” begins Amy Taubin, introducing her interview with the director for Film Comment. “In The Florida Project, six-year-old...

Sep 17, 2017 — Matteo Garrone’s gritty portrait of the Neapolitan Mafia draws on a lineage of Italian crime films dating back to Francesco Rosi’s trailblazing Salvatore Giuliano.

Sep 6, 2017 — New York. Back in April, Film Forum presented The Complete Wiseman: Part 1: Early Wiseman, the first half of a Frederick Wiseman retrospective that, as Matt Prigge notes in the Village Voice, “covered the prolific and pioneering documentarian’s angriest period.”...

Sep 4, 2017 — Alfred Hitchcock achieved Oscar-winning success with this psychological thriller, a tumultuous collaboration with producer David O. Selznick.

Aug 27, 2017 — Tobe Hooper, whose 1974 shocker The Texas Chain Saw Massacre “became one of the most influential horror films of all time,” as Pat Saperstein puts it in Variety, has passed away at the age of seventy-four. Saperstein: “Shot for less...

Aug 15, 2017 — Walter Matthau solidified his reputation as a formidable comedic force in this delightful Cold War espionage romp.

Aug 8, 2017 — “Mrs. Géquil is a delicate woman, at least in the eyes of her patronizing husband (played by José Garcia) as well as, perhaps, in the eyes of her boss and the vast majority of the students in her class,” begins...

Aug 6, 2017 — “First there is the darkness of a limestone mine, lit only by helmet flashlights and the occasional shower of flinty sparks from a pickax connecting with rock,” begins Jessica Kiang in Variety. “And then there’s the comparative dazzle of the...