The Criterion Collection
Essays
Nov 25, 2013 — He massages, he gambles, and he’s great with a blade. Who is this blind swordsman, anyway?
Sep 25, 2013 — Roberto Rossellini’s tale of modern sainthood demonstrates the importance of opening oneself to the wider world.
Jun 11, 2013 — Ingmar Bergman’s classic character study is a moving depiction of aging and regret but also joy and forgiveness.
Essays
Apr 23, 2013 — Who is Pierre Etaix and where has he been all your life? This is the story of a filmmaker who was vanished, banished, skipped over. It’s as if one of those invisible cubicles mimes are always getting themselves shut in...
Apr 9, 2013 — This review by film critic Janet Maslin originally appeared in the December 27, 1991, edition of the New York Times, and appears by permission of the author. Naked Lunch, adapted by the dauntless David Cronenberg from William S. Burroughs’s 1959...
Jan 22, 2013 — Andrei Tarkovsky’s austere, minimalist, and poetic film was the first major accomplishment in an oeuvre that would become one of Russia’s main contributions to the treasury of world cinema.
Dec 5, 2012 — The following is excerpted from an interview that originally appeared in the February 1, 1981, issue of L’avant-scène: Cinéma. It was conducted by Olivier Eyquem and Jean-Claude Missiaen. Eyquem is a documentalist and former staff member at Positif; he blogs...
Nov 20, 2012 — For a brief, shining moment, the genteel Japanese studio mutated into a fun house of grim ghouls and slimy aliens.
Jun 13, 2012 — Tasteful British cinema got a refreshing dose of amorality with Danny Boyle’s stylish and violent tale of greed and paranoia.
May 29, 2012 — A watershed film in Bergman’s career, this tale of a woman caught between the past and present is a masterful study in darkness and light.