The Criterion Collection
Sep 3, 2021 — In the thirty-fifth edition of the Italian festival dedicated to restored films, an eclectic lineup underscores the transportive physicality of cinema after a long year stuck at home.
Features
Jul 17, 2014 — When I was in high school in the late ’70s, one of my closest pals was a semiprofessional magician. A top-flight pianist as well, Charles was making some tidy sums as an entertainer in restaurants and clubs around North Jersey...
Essays
Jun 21, 2004 — Nouvelle vague euphoria was at its height when Jean-Luc Godard made his enormously clever third feature.
The Daily
Oct 9, 2019 — This year’s program has taken NYFF attendees to Soviet Russia, Lebanon, Chile, back home to the Big Apple, and behind bars.
Jul 25, 2017 — Albert Brooks brings the gift for comic deconstruction he honed in his stand-up career to this uproarious satire of baby boomer values.
May 15, 2012 — Circumlocutory critic Perkus Tooth sits down with a very patient Spike Jonze to talk gerunds and colons.
Features
Jun 27, 2011 — A rogue’s gallery of vituperative 1950s vixens and night-world tough-guy gargoyles all coalescing in a constellation of twinkling cold war lights, Robert Aldrich’s Kiss Me Deadly is a film of a thousand stars. Stars of every sort, size, and description:...
Oct 30, 2012 — All of them actors? Nearly everyone wears a mask in Roman Polanski’s devilishly clever work of horror.
Essays
Feb 9, 2010 — You can’t keep a good woman, or a great movie about a good woman, down. By all accounts, goodness in the real Lola Montez reflected the vagaries of character, not talent. She was, as Cosmo Brown says of Lina Lamont...
Nov 25, 2020 — A camera dollies down a hallway into the interior of a nursing home: the opening of Martin Scorsese’s The Irishman (2019) prompts a foreboding that seeps into all that follows. The Five Satins’ 1956 doo-wop classic “In the Still of...