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American Pie

Apr 12, 2011 With his 1970 gangster epic Le cercle rouge, Jean-Pierre Melville finally landed his white whale.

Nov 23, 2010 Easy Rider is a record of a certain time in American history, and a chronicle of a culture clash that never quite ended.

Though remembered now primarily for his intense, spare 1960s gangster films, this French master had a startlingly varied career, encompassing wartime dramas and psychosexual character studies.

This maverick director—one of the most audacious filmmakers to make his breakthrough in the 1970s—is known for his sprawling ensemble casts, richly layered narratives, and searing assessments of American culture and politics.

May 13, 2009 It doesn’t really come as a surprise that Chris Marker is a devoted inhabitant of the virtual world Second Life. After all, one could call the playful French filmmaker and multimedia artist’s kitty—and alter ego—Guillaume-en-Egypt a trailblazing avatar (when asked...

Oct 6, 2008 Jean-Pierre Melville’s ninth and to that point most commercially successful feature in France, was an important watershed in the director’s career.

Oct 6, 2008 It is pretty much a convention of the hard-boiled gangster picture that most, if not all, of the principal characters wind up dead by the final shot. So it ought not constitute a “spoiler” to note that Jean-Pierre Melville’s Le...

Aug 20, 2007 David Mamet’s debut film was a welcome throwback to the primacy of character and careful story construction, at a time when narrative intricacy was in short supply on American movie screens.

Oct 24, 2005 Jean-Pierre Melville’s great film flirts with macho extremism and slips over into dream and poetry just as it has us most alarmed.

Jun 21, 2004 Indefatigably productive, ingenious, exasperating, narcissistically didactic, slyly self-promoting, abject, generous, exploitative, devoted to the wretched of the earth with honest fervor and deluded romanticism: Pier Paolo Pasolini can easily exhaust the adjective-prone, as man and artist, his person and his...

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