The Criterion Collection
Features
Oct 3, 2019 — By the time Charlie Chaplin was making The Circus, from 1925 into 1928, his production company was a smooth-running organization. Numerous problems plagued the comic during the shoot—scratches on the first month of rushes, a fire that damaged the studio...
The Daily
Sep 27, 2019 — This week, we’re pulling up from the archives landmark journals, behind-the-scenes photos, and movies from an unfairly maligned decade.
The Daily
Sep 25, 2019 — Here’s an overview of how fifteen films in the NYFF’s Main Slate have been faring since premiering in Cannes.
Features
Aug 28, 2019 — 1. Before he became a filmmaker, D. A. Pennebaker’s ambition was to play stride piano like Fats Waller. “What changed your mind?” I asked him. “Well,” Penny replied, “after I saw Fats play . . . ” Penny would have...
The Daily
Aug 27, 2019 — In the run-up to Venice, Telluride, and Toronto, New York announces its retrospective and revivals.
Features
Aug 26, 2019 — In the first twenty-four features he directed, between 1925 and 1939, Alfred Hitchcock —always working closely with his wife Alma Reville (variously credited for assistant direction, screenplay, and continuity)—evolved from apprenticeship to technical mastery to an exuberant flowering that made...
Features
Aug 20, 2019 — For the past twelve months I’ve been re-plunging into Ingmar Bergman. It began with a conference in Lund, Sweden, in June of 2018, to mark the centennial of his birth; numerous experts, among them contributors to Criterion’s mammoth edition last...
The Daily
Aug 13, 2019 — As Toronto’s full lineup nears completion, New York looks to expand upon “our notions of what the moving image can do and be.”
The Daily
Aug 7, 2019 — The last two days have seen an avalanche of titles filling up the fall festival lineups.
The Daily
Aug 6, 2019 — The groundbreaking filmmaker had a hand in inventing—and then reinventing over and again—the modern documentary.