The Criterion Collection
The Daily
Nov 21, 2022 — Straub and his life and filmmaking partner Danièle Huillet have been described as “cinema’s conscience.”
Nov 2, 2022 — The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.
Nov 1, 2022 — In one of the most incendiary and formally experimental films of the Czechoslovak New Wave, two mysterious young women uncover humanity’s endless potential for revolt.
Oct 25, 2022 — One of the few American films of its era directed by a Black woman, Kasi Lemmons’s feature debut advances a critique of patriarchy and asks questions about gender and sexuality that still resonate today.
Essays
Oct 18, 2022 — Kiyoshi Kurosawa’s hypnotic serial-killer film dives into the realm of the uncanny and envisions the breakdown of Japanese society.
The Daily
Sep 22, 2022 — This month we’re reading about Jean-Luc Godard, Dirk Bogarde, Michael K. Williams, a few new novels, and just the state of things in general.
The Daily
Sep 20, 2022 — A new collection introduces a major French critic and editor to English-speaking cinephiles.
The Daily
Sep 12, 2022 — Laura Poitras, Alice Diop, Luca Guadagnino, and Martin McDonagh win top awards in Venice.
The Daily
Sep 9, 2022 — New films by Andrew Dominik, Paul Schrader, Rebecca Zlotowski, Alice Diop, and Florian Zeller premiere in Venice.
Features
Sep 9, 2022 — James Wong Howe was a fighter, and he learned how to be one over the course of a turbulent upbringing. Born Wong Tung Jim in 1899, in the Chinese province of Guangdong, the man who would become one of the...