The Master

May 12, 2026 — Sorting through critics’ most-anticipated titles, catching up with interviews and profiles, and more.

May 30, 2023 — What makes Thelma & Louise truly a film for women, despite the fact that it was directed by a man, are its stars, Geena Davis and Susan Sarandon, who imbue their iconic performances with tender, unwavering specificity.

May 11, 2023 — Starting this fall, Criterion will proudly join Janus Films in presenting Janus Contemporaries, a new line of home-video editions of first-run releases, fresh from theaters, following their streaming premieres on the Criterion Channel.

Aug 26, 2018 — Tomás Gutiérrez Alea brought cinema to the center of Cuban society with this richly ambiguous portrait of postrevolutionary Havana.

Jul 4, 2018 — In his big-screen breakthrough, Sam Shepard delivers tenderness, ferocity, and the quiet expressiveness of a silent film star.

Feb 1, 2018 — G. W. Pabst’s breathlessly paced reimagining of a mine disaster makes an urgent plea for international cooperation in the post–World War I era.

Nov 25, 2017 — New York. “It’s the Jacques Rivette movie for people who can’t stand Jacques Rivette movies—and yet no one else could’ve made it.” Michael Atkinson for the Village Voice: “La Belle Noiseuse (1991), now restored and rereleased in all its four-solid-hour...

Oct 6, 2017 — Back when Projections was still called “Views from the Avant-Garde,” the New York Film Festival described its program as a “yearly touchstone for experimental film.” Now neither of those terms—“avant-garde” and “experimental”—are quite broad enough to encompass all that goes...

Sep 5, 2017 — “If the only thing we wanted, or expected, a horror film to do was to get a rise out of you—to make your eyes widen and your jaw drop, to leave you in breathless chortling spasms of WTF disbelief—then Darren...

Jun 30, 2017 — “Founded in 1946 and situated in the picturesque Czech spa town,” the “Karlovy Vary International Film Festival (KVIFF) is seen as one of the most prestigious events on the circuit,” writes Orlando Parfitt at the top of his preview of...