The Criterion Collection
Essays
Sep 28, 2022 — Cameroonian director Dikongué-Pipa’s debut feature is both a manifesto on cinema’s capacity to bring about social change and a celebration of love and its possibilities.
Sep 28, 2022 — A high point of early Argentine cinema, Mario Soffici’s 1939 film about the plight of plantation workers is an unflinching examination of exploitation and violence.
The Daily
Sep 8, 2022 — All the Beauty and the Bloodshed is the only nonfiction film competing in Venice—and Werner Herzog and Mark Cousins remain as busy as ever.
Production Notes
Aug 25, 2022 — While working on our edition of Martin Scorsese’s 1980 masterpiece, producer Abbey Lustgarten found out how the director achieved some of the movie’s most evocative visual and sonic effects.
Essays
Aug 18, 2022 — With an obsessive attention to detail and tiny gestures, Ronald Bronstein’s debut feature film turns the tale of one neurotic Brooklyn man into a furious work of personal cinema.
The Daily
Aug 11, 2022 — New York’s Film Forum commemorates the director’s centennial year with a series of twenty-one films.
The Daily
Aug 3, 2022 — Film at Lincoln Center’s retrospective ranges from silent classics and intimate melodramas to sprawling westerns and historical epics.
On the Channel
Jul 27, 2022 — Beat the heat with our extensive survey of Chinese representation in American film as well as tributes to Yaphet Kotto, David Gulpilil, and Myrna Loy.
On the Channel
Jun 29, 2022 — This month on the Channel brings a collection of boxing movies, a survey of film noir steeped in expressionistic color, and a tribute to the classic Hollywood director Henry King.
The Daily
Jun 10, 2022 — This week: Sarah Maldoror and Wayne Wang, plus new issues and features and the return of Film Studies for Free.