The Criterion Collection
The Daily
Feb 25, 2019 — Turns out, not everyone loves a winner.
Jan 24, 2019 — Avant-garde cinema’s greatest champion—and one of its most accomplished practitioners—has died at ninety-six.
Essays
Jan 15, 2019 — In Notorious (1946), love assumes different shapes and presentations—as a wound, a weapon, a promise, a curse. For Ingrid Bergman as the lusciously complex and raw-nerved Alicia Huberman, it’s all these things. As the film begins, Alicia is on the...
The Daily
Jan 7, 2019 — Critics are fine with the actors who’ve won Golden Globes this year—as for the films they appear in, not so much.
Dec 17, 2018 — Secrets from the past are always surfacing in melodramas, altering or illuminating the landscape of the present. So it seems fitting that director John M. Stahl, one of Hollywood’s great masters of melodrama, had a past that is only now...
Dec 14, 2018 — “It’s sad to say, but women do not have much importance in westerns,” observed Anthony Mann, a master of the genre, in a 1957 Cahiers du cinéma interview. Made that same year, Samuel Fuller’s Forty Guns begins with a whopper...
Essays
Nov 26, 2018 — The legendary filmmaker possessed the greatest speaking voice in American cinema, and The Magnificent Ambersons represents the summit of his work as a vocal actor.
The Daily
Sep 29, 2018 — This “lean but evocative allegory” can be read in a surprising number of ways.
The Daily
Jul 26, 2018 — The creator of Hamilton has lined up his directorial debut, a TV series, a book . . . the list goes on.
Jul 4, 2018 — In his big-screen breakthrough, Sam Shepard delivers tenderness, ferocity, and the quiet expressiveness of a silent film star.