The Criterion Collection
Jul 11, 2017 — A forged note brings chaos and corruption to the lives of everyone it touches in Robert Bresson’s devastating final film.
The Daily
Jun 22, 2017 — The new issue of Senses of Cinema opens with a whopping dossier on Budd Boetticher (1916–2001). In his introduction, Dean Brandum notes that “in 1960, at the very moment he seemed destined for A-list status, he walked away from Hollywood,...
Feb 6, 2017 — In the inaugural installment of his new column, archivist Michael Chaiken examines the Nobel Prize–winning icon’s unique artistic process through a collection of ephemera.
Essays
Jan 16, 2017 — Jack Garfein’s no-holds-barred account of sexual assault and trauma captures the volatile sensibility of the Actors Studio.
Features
Dec 18, 2016 — Imogen Sara Smith examines the tensions between tradition and modernity reflected in two silent crime films by Yasujiro Ozu and Tomu Uchida.
On the Channel
Nov 18, 2016 — Tonight we salute the unique gifts of actor and monologue artist Spalding Gray, whose solo performance pieces inspired soaring flights of cinema like Jonathan Demme’s Swimming to Cambodia and the two Steven Soderbergh films that make up our double bill....
Features
Oct 31, 2016 — In her latest column, critic Imogen Sara Smith explores landmark moments in the intersection of noir and the western, including Marlon Brando’s One-Eyed Jacks.
Essays
Oct 26, 2016 — The tropes of light comedy give way to a Kafkaesque nightmare in this incendiary critique of moral rot in Franco-era Spain.
Sep 27, 2016 — This monumental meditation on the Ten Commandments captures the spiritual undercurrents of life in late-Communist Poland.
Dec 9, 2015 — With Jellyfish Eyes, Takashi Murakami’s creature feature made in the aftermath of Japan’s 2011 earthquake and nuclear crisis, the international art superstar brings his transcultural vision to the lineage of artist-filmmaker crossovers.