Oct 22, 2012 Television legend Sonny Fox has been the talk of the town lately. The eighty-seven-year-old, Brooklyn-born Emmy winner—who produced the PBS series featured in our box set The Golden Age of Television—has been making the rounds in the New York area...

Oct 18, 2012 Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled the results. The top fifty movies in the 2012 critics’ list, unveiled August 1, include...

Oct 15, 2012 The feral first three films by Norman Mailer, available in our thirty-fifth Eclipse set, may look primitive, but Mailer had some of the best filmmakers in the business on set to help him out, including verité pioneers D. A. Pennebaker...

Oct 9, 2012 British wartime audiences ate up these rule-breaking costume pictures—entertainments for a populace seeking escapism.

Sep 28, 2012 Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled...

Sep 20, 2012 The following is excerpted from a 1990 audio interview that originally appeared on the Criterion Collection’s laserdisc edition of Children of Paradise. It was conducted by the late Brian Stonehill, who was a communications and media studies professor at Pomona...

Sep 19, 2012 Marcel Carné’s tale of love and devilry in medieval France was a sensation during the German occupation.

Sep 18, 2012 Marcel Carné’s theatrical spectacle set in early nineteenth-century Paris is an operatic work about passion and artifice.

Sep 4, 2012 Umberto D. is perhaps the most astringent film ever made about a poor old man and his dog. Critics today tend to like the astringent parts: the long, deliberately undramatic sequences full of mundane activity (such as a housemaid’s morning...

Aug 30, 2012 In the 1960s, Mailer, already a literary legend, was inspired by the avant-garde film movement to take a stab at his own, anti-Warholian underground cinema.

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