The Post

Jun 21, 2024 — We open with an Italian neorealist classic, steer through ’70s-era paranoia, and wrap with a blast of gnarly rock ’n’ roll.

Apr 8, 2024 — ND/NF introduces New Yorkers to two family dramas, a Bulgarian thriller, and a Russian road movie.

Dec 14, 2022 — Anthology Film Archives presents a series of films that “are—explicitly or implicitly—reworkings of earlier films.”

Aug 30, 2022 — A lyrical study of a farming community in Ethiopia, Jessica Beshir’s debut feature reckons with the consequences of the region’s reliance on the cash crop khat.

Jun 21, 2022 — The producer of our edition of the masterful 1987 melodrama tells the stories of some of director Stanley Kwan’s legendary collaborators, including superstars Anita Mui and Leslie Cheung.

May 20, 2022 — Critics take a first look at new films from James Gray, Felix van Groeningen and Charlotte Vandermeersch, Mia Hansen-Løve, Saela Davis and Anna Rose Holmer, and Pietro Marcello.

Oct 22, 2021 — Sexuality—how one defines it, lives with it, hides it, shuns it, or wields it—is inextricable from matters of socioeconomic class, though rare is the American film that centralizes this intersectional reality. Americans have long been encouraged to buy into the...

Oct 15, 2021 — There is a gloriously unaffected vibe about Gina Prince-Bythewood. Cerebral and sublime, casually beautiful and laser-focused, she has written and directed impressive television and film for the past twenty-plus years with equal parts rigor and joy. And she has achieved...

Mar 30, 2021 — Mike Leigh’s midcareer masterpiece is one of the finest examples of his ability to construct riveting drama from ordinary life.

Feb 25, 2021 — Studio Visits Born and raised in Ecuador, Juan Miguel Marin didn’t always know that he would build a life in art. As a child he was more interested in music and sports, though he was exposed to painting through the...