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Jun 16, 2017 Robert Kolker “is best known for his landmark study A Cinema of Loneliness: Penn, Kubrick, Coppola, Scorsese, Altman (1980), now in its fourth edition, as is his influential textbook, Film Form and Culture (1999),” writes Jonathan Kirshner for the Boston...

Feb 11, 2017 Ermanno Olmi captures the dignity of work in this painterly vision of late nineteenth-century rural Italy.

Jan 4, 2017 Repertory PicksPlaying this week at the Charles Theatre, in Baltimore, Maryland, Gregory La Cava’s delightful 1936 romp My Man Godfrey stars the effervescent Carole Lombard as eccentric Manhattan socialite Irene, who decides to hire a man she believes to be...

Nov 25, 2016 Did You See This? In celebration of TIFF’s ongoing series Imitations of Life: The Films of Rainer Werner Fassbinder, Guy Maddin takes a look at the German master’s predilection for lush color palettes. In his latest TCM Diary for Film...

Oct 19, 2016 Martha Karsh, editor of The Beatles A Hard Day’s Night: A Private Archive, published in September by Phaidon, talks about her family’s Beatlemania and assembling a book about the world’s most famous rock band.

Oct 18, 2016 Guillermo del Toro’s anti–Wizard of Oz refracts the surreal traumas of the Spanish Civil War through the eyes of a young girl.

Oct 13, 2016 From its diffusely structured narrative to its innovative cinematography, this radical western is a showcase for Robert Altman’s iconoclastic style.

Jun 7, 2016 Michelangelo Antonioni’s 1955 feature about a group of Turinese women plays on the themes of the novel it was adapted from, while showcasing the developing style of the soon-to-be legendary director.

Jan 11, 2016 In honor of the great cinematographer, our technical director shares some memories of encountering the man and his work.

Jan 5, 2016 The late Haskell Wexler wore many hats—he was an independent, impassioned documentarian; a commercial Hollywood cinematographer; a political and social activist; an institutional (even union) contrarian. He was also an exemplar of how to live.

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