The Criterion Collection
Jun 18, 2019 — In his idiosyncratic, award-winning second film, Bruno Dumont uses the story of an alienated police detective to investigate the most elemental aspects of human experience.
Jun 18, 2019 — Bruno Dumont’s remarkable first feature examines the intermingling of the sacred and the profane in the French provinces.
May 29, 2019 — Once again, Lav Diaz and Takashi Miike did what they do; but the Fortnight also showcased a wide range of promising talent.
The Daily
May 27, 2019 — The awards have been presented, the red carpet rolled up, and now we can gather a little perspective on this year’s competition.
The Daily
May 21, 2019 — Malick’s rendering of the true story of a conscientious objector has split the critics.
The Daily
May 20, 2019 — Triple crosses follow double crosses in this slick crime thriller.
The Daily
May 19, 2019 — The Austrian director, a Cannes regular, is in competition for the first time with a chilly tale of a happiness-inducing flower.
The Daily
May 16, 2019 — Initial response to Silverstein’s first fiction feature is ranging from warm to very warm indeed.
The Daily
May 16, 2019 — Within a brisk seventy-seven minutes, Dupieux and Jean Dujardin escort us into the mind of a potential psychopath.
May 16, 2019 — All week long, writers have been reminding us that there was more to Doris Day than sweet sunshine.