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The Casagrandes Movie

Sep 16, 2014 The following interview is from filmmaker and writer Chris Rodley’s 1997 book Lynch on Lynch. The interviews in the book were conducted by Rodley between January 1993 and December 1996. Eraserhead took five years to complete. You must have been...

Aug 26, 2014 Define the Japanese New Wave however you like—there are innumerable possible launching points, and the name players in the fifties and sixties were old and young and in between—but from any juncture, Shohei Imamura was a primary figure and, at...

Aug 13, 2014 Actors Gael García Bernal and Diego Luna sat down to talk to Criterion about their experiences making Y tu mamá también with director Alfonso Cuarón for our release of the 2001 film. In this clip, they discuss finding a chemistry...

Jul 17, 2014 When I was in high school in the late ’70s, one of my closest pals was a semiprofessional magician. A top-flight pianist as well, Charles was making some tidy sums as an entertainer in restaurants and clubs around North Jersey...

Jul 14, 2014 Critic and filmmaker Paul Schrader has long cited the work of the great French director Robert Bresson as being hugely important to him. In this excerpt from his introduction to the Criterion release of Bresson’s Pickpocket, Schrader calls the movie...

May 1, 2014 When Walter Wanger conceived the movie that would become Riot in Cell Block 11, he wasn’t thinking in terms of pop culture. The longtime independent film producer, with classics (and Criterion releases) such as Stagecoach and Foreign Correspondent to his...

Feb 17, 2014 Flailing fathers, anxious mothers, and their moody offspring—these characters may have tails, but they’re Wes Anderson people through and through.

Feb 5, 2014 Performances We don’t often talk about documentaries as featuring performances. But consider the highly performative people at the centers of Grey Gardens, General Idi Amin Dada, and last year’s The Act of Killing, or even the seemingly more modest souls...

Feb 4, 2014 When François Truffaut was a twenty-three-year-old film critic, in 1955, he read an autobiographical first novel by a seventy-four-year-old writer, Henri-Pierre Roché. “The book overwhelmed me,” he later recalled, “and I wrote: If I ever succeed in making films, I...

Jan 14, 2014 Jules Dassin’s atmospheric, genre-defining heist thriller combines American virtuosity with French cool.

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