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Sound: Barbishanian

Feb 2, 2011 This essay first appeared in the winter 2010 issue of Brick, a literary journal based in Toronto. It is posted here by permission of the author. Michelangelo said he could sense the figure in the uncut stone; his job was...

Feb 1, 2011 When Krzysztof Kieślowski’s The Double Life of Véronique was first screened at Cannes, in 1991, the critical reception was rapturous. Georgia Brown declared in the Village Voice, “Anything I say about [the film] is merely a labored minuet danced around...

Jan 24, 2011 A character-driven tale of driven characters whose professional triangle trumps their romantic one, Broadcast News (1987) takes place after the fall of the Equal Rights Amendment and before the fall of the Berlin Wall—a time when gender wars and cold...

Jan 11, 2011 His most personal film as well as the final one to deal with the German occupation of France, Jean-Pierre Melville’s thriller showcases human consciousness grappling with mortality.

With his brilliant knack for composition, expertise at choreographing deadpan slapstick, and grandiose vision, this French mime turned filmmaker created one of the most enjoyable, singular oeuvres in film.

Dec 7, 2010 In 1981, it seemed to me that a new era of fantastic cinema was upon us.

Nov 27, 2010 The New Jersey resort town of Atlantic City provides the backdrop for two distinctive films made at opposite ends of the seventies: Bob Rafelson’s 1972 The King of Marvin Gardens and Louis Malle’s Atlantic City, released in 1981. That decade...

Nov 25, 2010 Five Easy Pieces is not a statement about America but a closely observed report. Or, perhaps, a confession.

Nov 23, 2010 An overdub has no choice, an image cannot rejoice.—“Porpoise Song”Where there is choice, there is misery.—SwamiHow’s about some more steam?—Sonny Liston The final episode of the television show The Monkees aired March 25, 1968. Cowritten and directed by Micky Dolenz,...

Nov 16, 2010 To make a silent film in 1931, four years after The Jazz Singer, was to buck the trend in a film industry rapidly divesting itself of silence. To make another in 1936, nearly a decade after the advent of sound,...

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