The Criterion Collection
Essays
Jun 14, 2022 — Ekwa Msangi’s intimate feature debut pushes the conventions of the immigrant family drama.
The Daily
Jun 10, 2022 — This week: Sarah Maldoror and Wayne Wang, plus new issues and features and the return of Film Studies for Free.
The Daily
Jun 8, 2022 — Tough choices will face attendees from today through June 18.
The Daily
May 31, 2022 — The jury gave awards to nearly half the competition, but some critical favorites missed out.
May 31, 2022 — Wayne Wang’s breakthrough feature, a milestone in Asian American cinema, is a humorous and intimate snapshot of San Francisco’s Chinatown.
The Daily
May 24, 2022 — While some critics expected more gore, others see a wryly wise reflection on our biological future.
The Daily
May 23, 2022 — The Romanian director maps varied strains of racism coursing through a tiny Transylvanian town.
May 18, 2022 — Just slightly northwest of Death Valley, in what is now eastern California, a mountain range carves out the eastern edge of the Owens Valley. Sculpted by bedrock pushed between tectonic faults during the late Proterozoic to Cambrian periods, the Inyo...
May 17, 2022 — A new restoration of The Mother and the Whore launches Cannes Classics before Final Cut officially raises the curtain.
The Daily
May 13, 2022 — It wasn’t always smooth going for Max Ophuls, Mike Hodges, or Irrfan Khan.