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Old Man Khottabych

Jan 31, 2005 With this early work, Bernardo Bertolucci confidently demonstrated the instinctive lyricism and sensuality that in his maturity would become his very own signature.

Jan 31, 2005 Like the movie’s rattletrap trucks lurching down the highway as they carry way-too-heavy loads, the characters in Jules Dassin’s brilliantly volatile Thieves’ Highway struggle under psychological and moral baggage until they can lay their burdens down. Working from a novel...

Nov 15, 2004 Short Cuts is an L.A. jazz rhapsody that represents Robert Altman at an all-time personal peak—and it came at just the right time in his career.

Secret Honor

Essays

Oct 18, 2004 Nixon as Hamlet, Nixon as Lear, Nixon as Blanche DuBois, Nixon as Krapp—clutching every last tape to his breast with the wild fury and despair of a man on the precipice . . . Nixon in his study, poring over...

Sep 13, 2004 About a year and a half ago, a friend and I found ourselves exiled to a cold Midwestern city, where we spent most of our time missing the lazy Texas college town that shaped our idea of the good life....

French Cancan

Essays

Aug 2, 2004 This kinetic and ineffably voluptuous musical is the happiest and most exuberant ripple in Jean Renoir’s career as a river of personal expression.

Jul 19, 2004 Marcel Carné's third feature is as epochal as any film made in France in the 1930s, exemplifying the style known as “poetic realism.”

May 17, 2004 Banned by the Third Reich before it was even released, Fritz Lang’s denunciation of Nazi Germany is a compellingly contemporary image of terrorism in an age of universal conspiracy and advanced technology.

Richard III

Essays

Feb 23, 2004 Laurence Olivier’s last entry in his trilogy of Shakespeare films is the crowning glory of the British studio system and the end of the great cycle of British films aimed at international audiences.

Le Corbeau

Essays

Feb 16, 2004 Henri-Georges Clouzot took the standard ingredients of the Continental-Films detective movies and used them to make something darker and more complex—to make, in fact, the first classic French film noir.

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