The Criterion Collection
Essays
Oct 22, 2013 — The disc of Faces that you now hold is the most beautiful copy possible of a film that was meant to look lousy. Digital technology painstakingly reproduces John Cassavetes’s lighting, which allowed his actors to move about freely, and so...
FYI
Aug 20, 2013 — We answer some questions about our decision to begin releasing dual-format editions, including both DVD and Blu-ray discs in one package.
Essays
Aug 14, 2012 — The camera never stops moving in the Dardenne brothers’ portrait of a troubled teenage girl desperate for a job.
Mar 28, 2011 — Topsy-Turvy is both an anomaly among the films of Mike Leigh and, contrary as it may seem, a Rosetta stone. On the one hand, it is Leigh’s only costume picture and only biopic—a far cry from the bittersweet, realistic films...
Dec 1, 2009 — In the eight films he’s made since 1991, Arnaud Desplechin has been developing a visionary world, a personal style that goes against the grain of standard cinematic practice today. He’s a master of ensemble mise-en-scène and a brilliant director of...
Sep 13, 2004 — About a year and a half ago, a friend and I found ourselves exiled to a cold Midwestern city, where we spent most of our time missing the lazy Texas college town that shaped our idea of the good life....
Essays
Jun 3, 2002 — Ronald Neame’s character study examines a talented, eccentric artist, who is also difficult, conniving, uncouth, and thoroughly disreputable.
Essays
Oct 21, 1991 — Written under the German occupation of France, and produced with the sanction of occupation censors, Marcel Carné’s masterpiece began shooting on August 17, 1943, at the Victorine Studios in Nice.
The Daily
Sep 20, 2024 — Catching up with Todd Solondz, missing Maggie Cheung, and wrapping up the summer of 2024.
The Daily
Sep 15, 2023 — This week features interviews with Martin Scorsese and Arturo Ripstein and appreciations of Tout va bien and Boris Karloff.