Apr 18, 2018 Sofia Coppola lets us behind closed doors in ways that are beyond the imagining of the novel’s boy narrators.

Apr 17, 2018 Up at the top, that’s Behnaz Jafari and Jafar Panahi in Panahi’s 3 Faces, which is slated to premiere in Competition in Cannes next month. Film Comment points us to an interview with Panahi in the latest issue of World...

Apr 9, 2018 Ingrid Bergman’s work in her native Sweden was an early showcase for her dazzlingly precocious talent and emotional depth.

Apr 4, 2018 On what would have been his eighty-sixth birthday, we’re celebrating Andrei Tarkvosky’s legacy with a look back at some of the essays and videos we’ve published on his work.

Mar 30, 2018 This spectacular and technically ambitious Hollywood musical is a priceless window onto American pop culture’s view of itself in the 1930s.

Mar 29, 2018 A daring portrayal of race, class, and sexuality, Tony Richardson’s A Taste of Honey plays at the British Film Institute in a monthlong tribute to Woodfall Films, one of the pioneers of British social realism.

Mar 29, 2018 New York. “Billed as a ‘meta-soap opera,’ Personal Problems is nothing less than an explosion of the television form,” begins Chuck Bowen at Slant. “Directed by Bill Gunn, the two-part, nearly three-hour miniseries was shot on video for a low...

Mar 27, 2018 At the height of his career, Ken Russell brought D. H. Lawrence’s classic exploration of human sexuality to the screen with frank eroticism and visual panache.

Mar 27, 2018 Back to Mulholland Drive “studies Lynch’s cult classic as a starting point for, and as an influence in, contemporary art,” writes Angelica Frey for Hyperallergic. “According to the book’s editor, the art critic and curator Nicolas Bourriaud, Lynch helped to...

Mar 25, 2018 Since our last roundup on new issues, two more publications have each put out another. The new March 2018 issue of Film Criticism opens with Julia Vassilieva’s essay on Andrey Zvyagintsev’s Leviathan (2014; image above). “While earlier discussions of the...

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