The Criterion Collection
Essays
Jan 29, 2001 — Masahiro Shinoda’s historical drama uses traditional elements of Japanese theater to explore the tension between ethics and eroticism.
Nov 13, 2000 — All the opening bands had finished playing, and it was time for the Stones to come out. The sun was still out and there was plenty of daylight left. The crowd had waited all day to see the Stones perform,...
Essays
Aug 28, 2000 — Good Morning is the wildcard in Yasujiro Ozu’s career, the film that looks least like all his others, and one of the few where he sees the world through childrens’ eyes rather than those of an old man.For many years,...
Essays
Jul 17, 2000 — Designed to steam viewers’ glasses, Roger Vadim’s directorial debut boldly announced the arrival of Brigitte Bardot.
Jun 26, 2000 — Kevin Smith writes about his third feature as a sort of penance/valentine for the woman who made him grow up.
Essays
May 15, 2000 — Vagabond has been called Agnès Varda’s Ulysses, and with good reason. The comparison with James Joyce’s era-defining epic novel extends well beyond a recognizable similarity between the two artists. Both writer and filmmaker occupy vanguard positions in the history of...
May 15, 2000 — Herk Harvey described to me a strange outdoor ballroom he had seen rotting on the shores of the Great Salt Lake. . . and said he’d like to make a film about creatures rising from the lake and doing a...