Can-Can

Mar 31, 2020 — Everybody loves Show Boat, but where is the love for the woman whose name alone sits above the title in James Whale’s dazzling 1936 film version? Edna Ferber was a best-selling novelist for decades, and in her peak years also...

Mar 27, 2020 — The cost to the Soviet population due to the war with Germany from 1941 to 1945 has not been definitively established; the best-circulated estimate, about twenty-seven million, is thought by some scholars to be low by many millions. Under Joseph...

Mar 26, 2020 — Deep Dives BOOM! Mahler (1974) begins auspiciously and iconoclastically, as befits its director, with a peaceful lakeside scene shattered by an abrupt conflagration. The combusting hut echoes Kiss Me Deadly and anticipates The Sacrifice and Lost Highway (Lynch: “I got...

Mar 26, 2020 — Check out what’s in store next month on our streaming service!

Mar 26, 2020 — The director of Re-Animator (1985) who founded a theater company that launched plays by David Mamet was seventy-two.

Mar 25, 2020 — As the Austin festival announces its award winners, many are wondering whether the entire festival circuit will be going online.

Mar 24, 2020 — How do you talk about Leave Her to Heaven without talking about Gene Tierney’s face? You can’t. Because its planes and curves, its cunning expressions and its tantalizing opacity, are such a central piece of the movie itself. A series...

Mar 24, 2020 — Edgar Wright, Rian Johnson, and Natasha Lyonne have some home viewing recommendations.

Mar 23, 2020 — The new issue features interviews with Tsai Ming-liang and Heinz Emigholz; plus the latest on the crisis.

Mar 20, 2020 — Also this week: Filmmaker and filmmakers make their work freely accessible, an appreciation of Barbara Hammer, and an interview with Jonathan Rosenbaum.