Back To Search

All That We Never Were

Dec 9, 2018 Songbook The final scene of Robert Altman’s 1975 film Nashville belongs to the transient wannabe singer Albuquerque, played by the late Barbara Harris. Up to that point, the storyline has followed numerous musician characters who are striving to get discovered or bolster...

Nov 14, 2018 He transformed a fledgling comic book publisher into a juggernaut brand.

Oct 12, 2018 Two early works by Ingmar Bergman show the Swedish master grappling with the conventions of melodrama, which would go on to influence his later explorations of spiritual torment.

Sep 7, 2018 F ew filmographies encapsulate the rebellious spirit of American cinema in the seventies better than that of Hal Ashby, who crafted an astonishing string of movies that stretched across the span of the decade. Finding success as an editor early...

SXSW 2018 Awards

The Daily

Mar 13, 2018 Jim Cummings’s Thunder Road has won Grand Jury Award in the 2018 SXSW Narrative Feature Competition, and Hao Wu’s People’s Republic of Desire takes the Grand Jury award in the Documentary Feature Competition. Here’s the complete list of winners with...

Feb 19, 2018 Jonathan Demme put an uncompromisingly feminist spin on the law-enforcement procedural with this wildly successful, Oscar-winning drama.

Jan 23, 2018 Made during the German occupation of France, these beguiling films showcase Claude Autant-Lara at the height of his powers.

Dec 15, 2017 First up, as Kristopher Tapley reports for Variety, the Academy of Motion Picture Arts and Sciences has narrowed the list of contenders for the best foreign language film Oscar to nine: A Fantastic Woman, directed by Sebastián Lelio, ChileIn the...

May 22, 2017 Yorgos Lanthimos’s The Killing of a Sacred Deer “makes the absurd, amazing The Lobster seem like a warm and cuddly experience by comparison,” declares Jessica Kiang at the Playlist. “A film of clean hands, cold heart, and near-Satanic horror, it...

Apr 12, 2017 With a comprehensive retrospective of her work opening at New York’s Quad Cinema, Lina Wertmüller chats with us about her early days as a moviegoer and her collaborative process.

Current Page
157
of 190

You have no items in your shopping cart